VISUAL MEDIA
Elzbieta Zdunek, Something Human
April 16, 2025
From the artist:
“My work explores the way we are perceived from the outside and how subjective interpretations of our words, choices, and behaviors can be. Definitions shift over time, words take on new meanings, and every perspective is influenced by personal history, background, and bias. A recurring theme in my pieces is the weight of external judgment: how labels define or dismiss us, and the impossible, often conflicting expectations placed upon us. I aim to capture the constant doubt, paranoia, and sense of inadequacy that come from being under public scrutiny, where everything—from appearance to actions—is judged. The audience, in turn, becomes both juror and voyeur. By repeating recurring themes and elements throughout my work, I emphasize the inevitability of events and their consequences, the cyclical nature of human behavior, and the illusion of choice—how what we believe we control has often been predetermined. As Umberto Eco put it: ‘Every story tells a story that has already been told.’”
Editors
Elzbieta Zdunek
Editors, 2025
digital collage
12x12in.
River Styx Magazine
© Elzbieta Zdunek
Betrothal
Elzbieta Zdunek
Betrothal, 2025
digital collage
12x12in.
River Styx Magazine
© Elzbieta Zdunek
Self-Love Propaganda
Elzbieta Zdunek
Self-Love Propaganda, 2025
digital collage
12x12in.
River Styx Magazine
© Elzbieta Zdunek
The Echo Trap
Elzbieta Zdunek
The Echo Trap, 2025
digital collage
12x12in.
River Styx Magazine
© Elzbieta Zdunek
Skin
Elzbieta Zdunek
Skin, 2025
digital collage
12x12in.
River Styx Magazine
© Elzbieta Zdunek
Plain View
Elzbieta Zdunek
Plain View, 2025
digital collage
12x12in.
River Styx Magazine
© Elzbieta Zdunek
Elzbieta Zdunek is a collage artist specializing in digital, predominantly grayscale compositions. In art, she aspires to create a confusing, immersive experience by exploring themes such as alienation, resentment, and the subjectivity of perspective, shaped by individual histories and biases. The biggest question behind her works is what makes us who we are and how many people—both heroes and villains—we are, depending on the context.
Originally a photographer, Ela was always more interested in perception than the subject itself. This focus continues in her collages, capturing moments of change—when the outcome is uncertain but will define us in others’ eyes.
Her favorite sources of inspiration are silent films and historical theater. She has exhibited among others in Omnibus Gallery, Chromart Art Space, and the famous Berlin Kitkat Club. Her artworks have been published in magazines such as The Adroit Journal, Door is a Jar, and The Maintenant Dada.